Frankincense (Boswellia carteri) GREO Prints

Graphical Representation of Essential Oil Paintings, in partnership with the Airmid Institute.  

 This painting seeks to embody the elusive nature of Boswellia carteri essential oil. In conversation with Stephen, he described how this species can perplex and mislead—its multifaceted chemistry constantly shifting, with gentle notes interrupted by unpredictable spikes. Its many chemo-types and volatile profile reflect a kind of aromatic restlessness: ever-changing, diverse, and difficult to pin down.

Visually, the composition commands attention, evoking the spotlight this species has long held as one of the earliest frankincenses to be traded commercially. Its prominence is both historical and symbolic.

Eleven sharp slashes cut through the work, drawing forth the resin in a ritual of disorder. The number eleven—a symbol of chaos and confusion—mirrors the oil’s scattered identity. Even the spelling of its name, with two i’s, pays homage to the artist’s first encounter with the species, before learning of the standardized single-i form. This too reflects the theme of disorientation and shifting understanding.

These are prints of Frankincense (Boswellia carteri) GREO.  Representing the top 4-5 main constituents in the essential oil.  The painting was done on canvas in egg tempera.  The artist, Lucas Anderson, makes each paint himself, adds a couple drops of the essential oil into the paint to capture the energetics of the oil in the painting.  

Each print comes with a couple drops of the oil for a multi sensory experience.

This GREO was produced in collaboration with the Airmid Institute.  50% of the proceeds will be donated to the Airmid Institute for use in setting up educational programs to strengthen the Frankincense supply chain.